Donald Mowat – Makeup Designer

Donald Mowat is one of the industry’s most sought-after makeup artists. As makeup department head/designer on such films as Blade Runner 2049, Stronger, Sicario, Nightcrawler, Prisoners, The Fighter and 8 Mile and as personal makeup artist for Daniel Craig on Spectre and Skyfall, Donald’s skill and professionalism have kept him in constant demand for the last thirty years.

Accomplished in every genre of film and television – straight and corrective beauty, character makeup, period drama, out of kit special effects/casualty – his awards include a Primetime Emmy, a Saturn award, two Hollywood Makeup Artists Guild awards and two Gemini awards.

Recent releases include Denis Villeneuve’s sci-fi epic Dune for which Donald is Makeup Department Head/Makeup Hair and Prosthetics Designer. Dune recently won Best Film Make-Up at the 2022 Saturn Awards. Dune was also nominated in the category Best Makeup and Hairstyling for the 2022 Oscars and Best Make Up & Hair for the 2022 British Academy film awards. Donald has two previous BAFTA nominations for Nocturnal Animals and Blade Runner 2049.

Donald Mowat with Javier Bardem and Josh Brolin (Photo by Simon Firsht)

Donald Mowat on the set of Moon Knight with Oscar Isaac (Photo by Gábor Kotschy)

Donald Mowat at the 2022 BAFTA Film Awards

Damien Chazelle, director of First Man, on Donald Mowat’s work:

‘People know banged-up and bloody. I can do that in 20 minutes.’ That quote from Donald speaks to the brilliance of who he is and what he does with his art. When we first met to discuss our hopes for makeup in First Man, Donald showed me look boards for each of the characters I had discussed with him. I was stunned by the level of period appropriate detail and the commitment to authenticity in every decision he makes.

With his decades of experience in film, Donald instinctively sees how audiences instantly ‘get’ prosthetics, but that this film would never be about the performance of exaggerated makeup. The looks for the astronauts and their families had to speak to their reality in this decade – their highs and their lows. When Donald showed me his techniques for slight aging of Janet’s character over the course of the missions, I knew he felt in his core what we wanted to do to achieve realness. This was about the actuality of a family in the suburbs, not an unrealistic portrayal of glamour.

Donald-Mowat-with-Jake-Gyllenhaal-on-set-of-The-Guilty