Makeup and Hair Designer / Makeup Department Head is Donald Mowat
Theatrical release for The Darkest Minds: 3rd August 2018
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2018 Saturn Awards: Donald Mowat nominated for Best Film Make-up for Blade Runner 2049
2018 Saturn Awards nominations announced
The Academy of Science Fiction, Fantasy and Horror Films recently announced their nominations for the 2018 Saturn Awards.
Donald Mowat has been nominated for the award of Best Film Make-up for his work as Head of Makeup on Blade Runner 2049.
2012 Olympics HM The Queen with 007 Daniel Craig
Personal makeup for Daniel Craig by Donald Mowat.
Jake Gyllenhaal is the face of the Santos de Cartier watch
Donald Mowat nominated for 2018 BAFTA award for Blade Runner 2049
2018 BAFTA Nominees for Make-up and Hair Announced
The British Academy of Film and Television announced the nominations for the 2018 EE British Academy Film Awards Make-Up and Hair category.
Donald Mowat has been nominated for his work as Head of Makeup on Blade Runner 2049.
BAFTA Los Angeles: INSIGHTS: Donald Mowat
Hollywood Reporter: interview with Donald Mowat
‘Blade Runner 2049’ Makeup Designer Describes Film Work, Weighs In on Digital Cosmetics “Debate
The Hollywood Reporter
Donald Mowat interviewed by Carolyn Giardina
The work of veteran makeup designer Donald Mowat has appeared in a long list of films, including Sicario, Spectre, Skyfall, Nocturnal Animals and 8 Mile. Here, he talks with The Hollywood Reporter about his work on Denis Villeneuve’s Blade Runner 2049 (for which he served as makeup designer and department head) and David Gordon Green’s Stronger (as hair and makeup designer), along with a VFX collaboration on these films. Separately, he shared some general concerns about the use of digital cosmetics in Hollywood.
The Verge: How makeup designer Donald Mowat helped shape Blade Runner 2049’s future
From getting Jared Leto’s blinding contacts halfway around the globe to picking the right shade of pink for a giant naked hologram woman
Most people haven’t heard of Donald Mowat, but they’ve likely seen his work in films like The Fighter, 8 Mile, The Departed, the James Bond films Skyfall and Spectre, and now, Blade Runner 2049. Mowat is a longtime makeup designer whose work has earned a Primetime Emmy, a Saturn Award, two Hollywood Makeup Artists Guild awards, and two Gemini Awards. He was recently nominated for a BAFTA award for his work on Tom Ford’s Nocturnal Animals. Mowat has worked with director Denis Villeneuve multiple times, on Prisoners and Sicario, and he most recently partnered with Villeneuve again on the sequel to 1982’s Blade Runner. Though critics have largely been positive about the film, it’s been a box office disappointment. But that may change once the film opens in China and Japan on October 27th.
Read more at theverge.com
Makeup-Hair Designer Specializes in Bruising Looks for ‘Blade Runner 2049,’ ‘Stronger’
From Variety magazine
by Marj Galas
This is a busy year for makeup and hair designer Donald Mowat, who worked on two major releases: Blade Runner 2049 and Stronger.
Mowat was a big fan of Ridley Scott’s original Blade Runner, released in 1982, so he was psyched when helmer Dennis Villeneuve asked him to lead the makeup department for the sequel – a revisiting of the L.A. based futuristic tale set 30 years later. Mowat overcame initial anxiety over the epic scope of the project and was happy to reteam with the director and cinematographer Roger Deakins, with whom he had worked on Sicario and Prisoners as well.
Read more at variety.com
Carnage Informs Makeup Choices on Pair of Pics
From Variety magazine
Donald Mowat tackles physical limits in Blade Runner 2049 and Stonger.
by Marj Galas
This is a busy year for makeup and hair designer Donald Mowat, who worked on two major releases: Blade Runner 2049 and Stronger.
Mowat was a big fan of Ridley Scott’s original Blade Runner, released in 1982, so he was psyched when helmer Dennis Villeneuve asked him to lead the makeup department for the sequel – a revisiting of the L.A. based futuristic tale set 30 years later. Mowat overcame initial anxiety over the epic scope of the project and was happy to reteam with the director and cinematographer Roger Deakins, with whom he had worked on Sicario and Prisoners as well.
Blade Runner 2049 required every type of makeup application: character, aging, beauty and fantasy. Mowat and Villeneuve met to discuss initial concepts. The designs found inspiration in many sources, including Alexander McQueen’s fashions, Jack Nicholson’s torn nose in Chinatown and Rutger Hauer’s bloodied face in the original Blade Runner.
Some design elements were left in limbo due to scheduling conflicts and the remote Hungarian locations. Jared Leto was available only one week prior to his scene, and Mowat wanted to make sure he’d be able to blend his concepts with the actor’s vision of his character. “We shipped 12 cases of makeup from L.A.,” he says, “just to make sure he’d have everything he needed. It was terrifying.”
Mowat came aboard Stronger, a film about Jeff Bauman, who lost his legs in the 2013 Boston Marathon bombing, when Jake Gyllenhaal (who plays Bauman) introduced him to the script and to director David Gordon Green. The makeup artist carefully researched every aspect of leg amputation, speaking with surgeons and studying musculature and tissue damage.
Gyllenhaal’s amputations were sometimes hidden by pratical objects, but many scenes required them to be visible, and Mowat worked with Autonomous FX to design visual effects specifically to convey the look of a double amputee. First, a life cast was made of Gyllenhaal’s legs. Tight green socks were created for green-screen-like and seamless substitution of visuals.
Mowat worked with local crew in Boston to source materials for his creations. He also met Bauman. To capture what he noticed, he outfitted Gyllenhaal with hazel contacts for the pre-bombing scenes and dark contacts for the scenes that unfold after the incident.
“Jeff is charming,” says Mowat, “but you see the trauma in his eyes.”